June 12, 2018 § Leave a comment
I’ve been a fan of Sidney Sime’s art for a long time, since having first seen his fantastical illustrations for Lord Dunsany’s ‘The Gods of Pegāna‘, but it wasn’t until I started research for my essay on three of Sime’s paintings, an article which was eventually published in Dead Reckonings 22, that I realised how hard it was to find any information on him beyond the scant biographical details on his Wikipedia page and the single easily-acquirable book about his life, Simon Heneage and Henry Ford’s ‘Sidney Sime, Master of the Mysterious‘.
What I did find, however, is that a small band of devotees keep Sime’s memory alive at the Sidney Sime Gallery in Worplesdon, Surrey. Worplesdon has a great connection to Sime – he lived there after buying the still-extant Crown Cottage in 1904 and, after his death in 1941, his remains were interred in the graveyard of Worplesdon’s St Mary’s church – so it is a more than fitting place for his memory to linger.
Still, Surrey is a long way from my own home in Edinburgh…
January 23, 2018 § Leave a comment
I’m very pleased to once again be published in Dead Reckonings, this time the Fall 2017 issue, number 22.
I talk about the nature of mystery and horror in some of the works of Sidney H Sime, an English artists most famous for his illustrations of Lord Dunsany’s fantastical work, and also cover Jeffrey Thomas‘s excellent collection of weird and eerie fiction, ‘Haunted Worlds‘
Death, exile and madness are all ultimate states of non-being that give the shape to our being. They are the black sea that define our islands of light and life. We experience them only at the very extremes of our lives, as we move from the obvious to the occulted, and it is impossible for us to truly imagine what that moment of transition will be like; before the transition we are as we have always been, afterwards we are fundamentally different.
Dead Reckonings is available directly from Hippocampus Press.