April 15, 2018 § 1 Comment
This is a transcript of the presented paper, edited with some last-minute changes made during the presentation itself and, where appropriate, links to external material.
So begins our journey into the Dungeons & Dragons adventure of ‘Ravenloft’ where Strahd von Zarovich, a centuries old vampire-prince, rules his terror-haunted realm without pity or remorse. ‘Ravenloft’ is riddled with deeply gothic imagery from the flying buttresses of the eponymous Castle Ravenloft to the tortured, endless nature of Strahd’s vampirism. Yet, like all gothic fiction, there is more to ‘Ravenloft’ than simple theatrics. There is a deep sense of horror that comes not just from the story but from how the story is told and, crucially, how it is not told.
August 8, 2016 § Leave a comment
“When wakens the serpent?”
The old man asks
No word returns
From he who basks.
“When wakens the serpent?”
A whisper, low
“I woke within you
March 13, 2016 § Leave a comment
Not long ago, in a village not far away, a little girl was born to a farmer and his wife. She was the finest product of their meagre farm and grew unlike any crop of theirs had done before. The sun and moon themselves counted out her years, as she ran through field and forest and furrow. The farmer used to chase her, a mock-crown of ivy on his head and laughter in his throat, but always she would dart away from his outstretched arms. The farmer’s wife looked up from her tasks, sharpening tools or mending a cloak, and smiled to see them silhouetted in the evening’s light.
Yet one day, as crisp and bright as could be hoped for, the farmer stopped chasing his daughter and she looked back to see that a man much thinner than she remembered was waiting for her. “Father,” she called. “What is wrong? Why do you not chase me as you used to?” The farmer smiled quietly before replying in a voice like dust. “I am old now, daughter, and I have chased you as far as I can. My breath is spent. Go home to your mother, dear child, and I will rest here a while.” With that he rested and moved no more.
So the girl left her father and ran back to their little cottage, where a woman much thinner than she remembered was waiting for her. “Mother,” the girl called. “What is wrong? Why do you not sharpen our tools as you used to?” The farmer’s wife smiled quietly before replying in a voice like smoke. “I am old now, daughter, and I have sharpened as much as I can. My strength is spent. Go out into the wide world, dear child, and I will rest here a while.” With that she rested and moved no more.
So the girl left her mother and ran to the nearest town, her legs strong from years of running with her father, and she worked hard, her hands nimble from years of working with her mother. One day she had a husband, and later a daughter, and she gave life as it had been given to her. One day, a day as crisp and bright as could be hoped for, she found that she had given as much life as she could and she smiled quietly to herself. With that she rested and moved no more.
Death is not a skeleton, not a withered body lying in the cold ground. Death is not the cough of lungs grown dry or the creak of bones grown stiff. These are the products of Life, because Life is always giving and gives until the very end. Death is a miser who takes everything, gives nothing.
Death is a miser and misers are to be pitied, not feared.
“I shall take the very breath from thine breast,” sayeth Death. “Thou canst not take what hast been freely given,” sayeth Life.
October 29, 2015 § Leave a comment
There is a book, or so they say, that sits upon a lonely shelf.
Neither large nor small it goes all but unnoticed next to more important volumes as its cloth cover fades slowly from brown to green. Or maybe from green to brown. Maybe not fading at all. The ghost of silver embossment lingers on its spine, indecipherable. A commonplace book in a common place of books, with nothing to mark it out beyond a slight smell of damp.
Occasionally, curious fingers will pick the book up and absently ruffle the yellowing pages that fall open at random to reveal their contents; mediocre poetry or tedious inventories of belongings, rambling short stories or blocks of impenetrable legal text, descriptions of rain-streaked foreign shores or the simple musings of lifeless repetition. Each browser sees something different, yet equally banal, and each will sigh with disappointment before replacing the book and moving to the next. The book’s cover fades slightly more from brown to green. Or maybe from green to brown. The faint lettering on the spine is perhaps less clear than it used to be. Perhaps not.
More rarely, the book is plucked from its resting place by an inquisitive reader and opened eagerly at the first page. They read the publishing details, curiously blurred, and then the typesetting information (“Set in New Lethean, 11pt”). Their eyes settle on the opening lines and from then on their fate is sealed. As they read, they become thinner and the story of their life unwritten becomes yet another fragment of the book. The frustrated novelist, the list-maker, the writer of unheard songs. All of them stretch into lonely silence until they become so thin they disappear, another tale of the everyday added to the pages of the book’s collection. A tutting librarian finds the book days later, dropped on the floor, and dusts it down before replacing it on the shelf. Nobody notices that the spine’s lettering is now perhaps less faint, perhaps a brighter silver.
Of the book itself we know little more, beyond its existence. It is where books are, where books gather, but where that is could be anywhere. All we really know is that hook, the opening words that snare the curious or the unlucky. And those words are these:
“There is a book, or so they say, that sits upon a lonely shelf.”
October 8, 2015 § 2 Comments
They came down from the woods that night
those of frost, not firelight.
They snuffed out flame, snuffed out as well
the lives of those who quietly dwell
in towns and hamlets, farms and inns.
The places where mankind begins.
We’ve heard their whisperings in streams,
their faces only found in dreams.
Where masters older than our own
sit upon their oaken thrones.
Everyone they found, they slew
except a pair of children who
hiding underneath their bed
heard the woodfolk laugh. They said;
“Tremble not, we’ll leave you be.
Return this dawn to moss and tree.
Another night you’ll hear our song.
Years for you, for us not long.
As long as mankind bustles, thrives,
we’ll come to take your children’s lives.”
Prophecy-poem of the Northern Marches