The left hand of Aux-Çevoires.
January 29, 2015 § Leave a comment
I went up to see him, like we all did, strapped into his swinging gibbet-cage on top of Dancers’ Hill. The thin, withered corpse naked but for a wrapping of black iron banding, its bald head angled back in a scream of agony – or of fury – with eyes plucked from the sockets, left hand hacked off at the wrist.
The left hand of Aux-Çevoires, the Alchemagos. The Poisoner of Melhaut, the Breathstealer, He-Who-Walks-In-Fog. The hand that I had seen only once, when he jabbed its discoloured fingers at my eyes before leaping through the stained glass of Our Lord Abiding’s rose window and down into the canal below.
So I went up to see him, like we all did, but I went at dusk when the night-mists begin to settle in the hollows and the sounds of the City are softer, distant. I went at dusk, to be alone.
I went at dusk, like a fool.
The walk is not long, but it is hard. Dancers’ Hill rises quickly from flat moorland on the far side of the Choke and its cover of thick gorse is left to run wild as a deterrent to the casually morbid. In the slow darkening of dusk, and as your breath begins to catch from effort, it feels as if your own life is ebbing away with every step of the climb. Yet suddenly, always suddenly, you are stood on the small tonsure of bare ground at the hill’s crown. Behind you the City’s lights glow amber and ignored. In front of you is the Dancing Master; the bent and blackened tree, impossibly ancient, that stretches out one arm to dangle the final home of the treacherous, the wickedly insane or the simply evil.
Aux-Çevoires was all of these so we hunted him down, across decades, until a time when the Dancing Master could offer him a lesson.
Nobody knows when he came to the City but it is likely that it was during, or sometime immediately before, the White Plague of AB412. Perhaps he was a young man then. Perhaps he has always been as old as he looked when I last saw him alive. Perhaps he was never even a man but simply a husk, animated by something unthinkable. Whatever he may have been, he was a murderer. A vampire, feeding off the fear of his victims.
The infamy of Melhaut is well-known; the bloated victims leaking and bursting as they staggered drunkenly in the streets; the escalating quarantine measures that couldn’t stop their screams echoing through the night; the very buildings themselves infected with malignancy, even all these years later. I remember hearing a shout go up and seeing the figure of a woman, still in the early stages but obviously lost to infection, run howling along the shallow incline of a gambrel roof. A Boxer took her with a shot from a trycklock and she burned as she fell into the streets.
Yes, Melhaut is well-known but Melhaut was a war and its atrocities on a scale that made them mercifully incomprehensible. It is the smaller crimes that make my throat burn with bile and wake me in my sleep; the candlemaker, almost suspiciously healthy in himself, whose corrupted sweat caused every 18th candle to gout yellow, choking fumes when lit; the mother who unwittingly killed her babies, driving herself into collapse as she tried to feed them more and yet more but ignorant of the fact that it was her own tainted milk that poisoned them; the sewerman, no longer aware of the difference between night and day, who went to work as the full moon rose and was found, reduced to a small pile of teeth, by the morning shift.
Yet the worst crime he ever committed was to kill the hope, the peace of mind, of thousands. The backstreet jack-a-knife can be avoided or struggled with. Hunger can be prevented with hard work or thrift. Even old age can be balanced against a life well-lived or the sight of a grandchild. When all this can be taken away on a whim, without reason, then life becomes meaningless. He killed many without lifting even a finger of his filth-stained hand.
So I went up to see him, like we all did, just to make sure that it was actually him, that it was finally over.
I looked up at him as I thought all this and realised that I’d been holding my breath. I let it out and with it came all the horror of the years gone by, all the faces pleading with me to save them when I couldn’t. I wept and howled, beating the cage with my fists until my strength left me and I fell to the ground, into blackness…
I awoke to cold seeping into my bones and a bright half-moon hanging high in the night sky, silhouetting the gibbet above me. Something tugged at my hair. A rat, no doubt, drawn by the smell of decomposition. I clutched at it, flinging it from me. Its claws raked out, leaving sharp lines of fire across my throat. I cursed it, I cursed the foolishness that had drawn me here and I cursed, as I had cursed so often before, whatever passed for the soul of Aux-Çevoires. I turned to spit but my throat was dry, hoarse with curses, so I simply glared up at the corpse.
And that is when I heard it. Under the whispering of a night-time breeze, under the creak of the settling gallows-tree, even under the distant murmurings of the slumbering City was a sound like dust falling on paper. I became silent, immobile and focusing every ounce of concentration on that sound. It became rhythmic, rising and falling like far-off waves. Like a memory of breathing.
Or of laughter.
Another sound, louder now and close by, made me spin around to see the vague smear of something crawling in the shadow of the Dancing Master. The rat I had flung into the darkness? No! Not the rat but a spider, bloated and dragging itself along the ground. Dragging itself out of the shadows and into the light…
I howled denial into the cold, uncaring night as the moonlight shone down on the horror that crept towards me. There had been no rat. There had been no spider. Crawling slowly, impossibly, in jerking movements and with fresh blood, the blood it had scratched from my throat, glistening on its talons was a blackened, distended hand.
The left hand of Aux-Çevoires.
I fled, crazed and unthinking, as the paper-thin laughter echoed in my mind. With no distinct direction to follow my limbs took me home, back into the City. I should have disappeared into the Fen, taken this death out to the monsters and abominations that haunt the horizon. But I did not, and now I am too weak to move. Fire fills my head and my eyes steam like coals. My lungs gurgle with every breath. My hands are bound tightly with cloth but still they swell and drip with thick, grey fluid. Soon I will no longer be able to hold this pen. Soon I will be dead.
I write this note as an apology. I caught the Alchemagos, brought him to trial and to punishment, but I am his final victim and, in being so, I continue his work. I will die. I will seep foul fluids into my clothing and belongings, tainting them irreparably. I will blossom spores into the air of this room that will waft through cracks and crevices, into the lungs of others. I will be found and will be removed, spreading the infection like the soft touch of autumn mist.
It is a mist that preludes a storm, ushered in from beyond death itself by the left hand of Aux-Çevoires.
Apparent final note and confession of Procurator-Medico Alnstein. Found amongst personal effects, post-mortem. Immediate quarantine procedures instigated on discovery. 1,203 related deaths confirmed as of time of report, including 57 officers and related auxiliaries. 721 further possibles. 3 Boxer units subsequently deemed inoperable or lost-in-operations.
Recommend noted area be sanctioned Red/Black immediate, full disassociation.